Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990

Саундтрек безнадежных попыток восстановить утраченное навсегда душевное равновесие. Плюс это японская музыка времен тамошнего экономического и технологического бума, то есть, когда в Японии «все было хорошо». Двойная хонтология получается.

Это альбом, так что в ютьюбе выложено как плейлист. Дигитальный альбом можно купить на Bandcamp: https://kankyongaku.bandcamp.com/album/kanky-ongaku-japanese-ambient-environmental-new-age-music-1980-1990

Краткое описание на английском (из оригинала мы убрали несколько излишних, на наш взгляд, прилагательных):

Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990 is an overview of the country’s minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa. 

In the 1970s, the concepts of Brian Eno’s “ambient” and Erik Satie’s “furniture music” began to take hold in the minds of artists and musicians around Tokyo. Emerging fields like soundscape design and architectural acoustics opened up new ways in which sound and music could be consumed. For artists like Yoshimura, Ojima and Ashikawa, these ideas became the foundation for their musical works, which were heard not only on records and in live performances, but also within public and private spaces where they intermingled with the sounds and environments of everyday life. The bubble economy of 1980s Japan also had a hand in the advancement of kankyō ongaku. In an attempt to cultivate an image of sophisticated lifestyle, corporations with expendable income bankrolled various art and music initiatives, which opened up new and unorthodox ways in which artists could integrate their avant-garde musical forms into everyday life: in-store music for Muji, promo LP for a Sanyo AC unit, a Seiko watch advert, among others that can be heard in this collection. 

Kankyō Ongaku is compiled by Spencer Doran (Visible Cloaks) who, with a series of revelatory mixtapes as well as his label Empire of Signs (Music For Nine Postcards), has been instrumental in shepherding interest in this music outside of Japan.

Петр Кириллов